Showing posts with label alchemy. Show all posts
Showing posts with label alchemy. Show all posts

Tuesday, 26 March 2024

more than a hundred

This blog has been closed to public readership since late 2021/early 2022. During the two years since then, I continued to write my way through a series of events and circumstances that were nothing short of completely devastating, on many levels and for many reasons. Those posts were, more than anything, an accurate record of the intense suffering that I was experiencing, and it makes for torrid reading. 

I do not consider those posts to comprise a narrative that deserves suppression, however I am mindful of how distressing much of it is and I have no desire to further the negative consequences of what was already a devastating period in my life. Therefore I have chosen to preserve that content elsewhere, away from this public space. What you are reading now is a blog which has had more than a hundred posts removed. A hundred posts is not an insubstantial amount of writing, and I include this figure here to convey something of the scale of my experience and the extent of its impact on me personally. 

However, much content is retained. Be warned that not all of it is easy reading. Some of it includes detail about the abuse I experienced as a child, which came pouring out in the months after my mother died. Not all of it flatters persons who may recognise themselves in aspects of my critique. But I spent several long years at the mercy of circumstances involving significant failings and the indifference of many people. I wore the real consequences of that. Therefore I have erred on the side of including material that still holds some of the sting I was feeling. It is but a drop of the howling ocean of words that I originally wrote. Readers will note that I could not and would not reopen this blog until I had moved on to a better, more balanced space within myself. 

That day has now come. I am satisfied with the content choices I have made. If you know me, and any of this material bothers you, please reach out to me. There is nothing here we can't heal between us.  


Wednesday, 13 July 2022

In low fields by the sea


Like barley bending

In low fields by the sea,

Singing in hard wind

Ceaselessly;


Like barley bending

And rising again,

So would I, unbroken,

Rise from pain;


So would I softly,

Day long, night long,

Change my sorrow

Into song.  


~ Sara Teasdale







Thursday, 16 June 2022

Mixed feelings (in a mellow moment)

It would be both misrepresentative and inaccurate to infer, from my more heated writings, that I spend the majority of my days in a state of ranting, steaming fury. Yes, fury has been a companion to my days for some time, and for good reason, and this is something I have been living with, but it doesn't comprise the fabric of my everyday life. 

I have more mellow moments. I reflect upon my actions, and the manner and form I have chosen to express some of my stronger feelings, and I do not apologise for that. There is a depth of complexity to my life that is not apparent to the observer, and that place of complexity is one of disempowerment, and loss, and an entire spectrum of entirely normal emotional responses. And yes, those responses include anger, and it is proportionate to the  scale of that which I have borne. But anger is not socially acceptable for women. Instead, people plaster over the reality of the very real assaults and injuries that we experience with a thin veneer of judgment which questions our stability, our sanity, our capability, as if fury in the mouth of a woman is always born out of our own personal weakness. And some of you reading this (if I ever decide to give you access again) may already have made that judgment about me. There's not a lot I can do about that. But here, in this space, I am not going to censor my anger. I am not going to pretend that I have not been angry, and that my anger has not been an expression in response to very specific circumstances, which if known would prompt similar responses in anyone else. Nor I am going to assume that you, reader, are incapable of developing a more nuanced understanding of the fuller state of mind that lies underneath my spitting vehemence. Nor will I apologise if my anger provokes your own, for any reason, but especially if you feel that my anger towards you and your actions is misplaced. If nothing else, understand that the depth of my distress has at times overwhelmed my sense of the calm benevolence of my relationship with the world and the people in it, and I have encountered instead an indifference and absence of care that belies the undertakings that people have given me about what to expect from them. And that looks and feels like betrayal, and I've worn the real, practical consequences of it in entirety across multiple spheres of my life for a very long time. So suck up your discomfort, sweetheart. It ain't a patch on what I've been subjected to. And I reserve the right to express that, calmly or hysterically, rationally or passionately, accurately or with all the colourful exaggeration that the strength of my emotion demands, here or anywhere else. 

I might choose, at some future time, to soften the harder edges of some of my words, in recognition that what I have written is only a piece but not all of my experience, that it reflects one aspect but not others. I might, one day, write more about my hopes, about the good I aspire to bring about, about the privilege of living this crazy, unfathomable life, about the joy of sharing it with multitudes of strangers and seeing the unimaginable take form. I might, in a more mellow moment, reflect more fully on my own agency in bringing about what has occurred, the good and also the awful. I might even acknowledge the sense of unseen support, of small, momentary kindnesses, the encouragement that I've taken from near and far, and the very deep respect, affection and gratitude I feel for the people who have given it. None of that outweighs the mad, bad, sad that has been my lot, but it is something that sustains me and it has helped me enormously while staring into the existential maelstrom of my powerlessness. And I am aware that some of my anger has been directed at the same people who have been that source of strength to me. And I will not apologise for that either. Because it goes to the heart of the complexity that has made everything so difficult for me. But neither can I pretend that no strain has been placed on those relationships, or that people I care about might not turn away from me, burdened by an undercurrent of unresolved feeling. But I hope not. I hope they can find the same strength in themselves that they've helped me to find in myself, and that our care for each other is matched by our courage to express it. 



Tuesday, 15 December 2020

Public Notice

Please be advised on this 15th day of December 2020, that I do declare publicly that I have no appetite for being treated badly by the same persons in the same manner using the same methods that have been used to treat me badly on a previous occasion or occasions, and that it is my most strenuously asserted right to refuse any actions that have the semblance, manner or insinuation of comprising such bad treatment, and to thereby alter the trajectory of my experience and circumstances to a more beneficial outcome. 


Friday, 6 November 2020

58

 

                That god forbid that made me first your slave

                I should in thought control your times of pleasure,

                Or at your hand th' account of hours to crave, 

                Being your vassal bound to stay your leisure !

                O, let me suffer, being at your beck,

                Th' imprison'd absence of your liberty, 

                And patience, tame to sufferance, bide each check    

                Without accusing you of injury. 

                But where you list ; your charter is so strong

                That you yourself may privilege your time 

                To what you will ; to you it doth belong

                Your self to pardon of self-doing crime. 

                        I am to wait, though waiting so be hell ; 

                        Not blame your pleasure, be it ill or well. 


Shakespeare, Sonnets.

Sunday, 11 March 2018

Warmth


In the heat of her hands I thought, This is the campfire that mocks the sun. This place will warm me, feed me and care for me. I will hold onto this pulse against other rhythms. The world will come and go in the tide of a day but here is her hand with my future in its palm. 

~ Jeanette Winterson


Monday, 29 May 2017

Free

I’ve been dancing freestyle for a long time, and the principle tenet of the style is this: no choreography.

This commitment to improvisation requires the dancer to interpret the

Friday, 17 February 2017

NaCl




That which is unsaid
assumes a denser form and
leaks silently out

Saturday, 31 December 2016

Worthwhile


worthwhile / worth while


1. Performance art   #crazynotcrazy #sorrynotsorry #WTF #whoknows
2. Bingeing on bad poetry and body language
3. 
Starring in my own imaginary reality TV series 
4. Wine time (rediscovered)
5. Intimate grooming as an adventure sport
6. Day trippin' to Coventry. (Too bad I didn't send you a postcard).
7. Kerb kicking (top points paid for toxic family members & judgey ex-friends)
8. Post-verbal and pan-textual narratives in digital memoir
9. Humble pie degustation tour
10. Spontaneous, revelatory urban route deviations
11. Secret elevator dancing
12. Book arranging by stealth #bookstoreguerrilla



Sunday, 27 November 2016

Process

Last year, I reconnected with my creative process. At the time, it was a reaction to unusual and challenging life circumstances, and it was a deliberate attempt to step back and gain the sense of perspective and insight that I needed. 

Apart from providing immediate mental first aid, this creative renaissance has had longer term benefits. It might look to an outsider like I have an odd assortment of strange interests, but it's a collection of reflective and meaning-making activities that allow me to take the chunkier and less cooperative elements of life and reshape them into something I can live with. I am less stressed now, happier in myself, calmer. It is also helping me to come to acceptance of my disability. The process of reflection and integration afforded by a practice like writing, for example, helps me to lodge important understandings in a deeper place in my memory - even when I can't recall the more superficial details. The creative output provides reference points in my emotional map and on my personal timeline, revealing the way some of my bigger questions, challenges, growth have unfolded, even when I don't remember the sequence or timing of significant events. This is a valuable tool for memory and insight, but more importantly, it helps me to feel whole when I have lost so much, so so much, of what once defined me. 

A creative process does not need to be something artistic, or even skilled. I remember one time, turning to the medium of colouring in. (You read that right: line drawing + pencils = colouring in). There is a page that I coloured while contemplating in a very focused way all of the elements of a particular situation I was in. Not an exercise in mindfulness exactly, as that would require calm sensory presence without thinking thoughts, but nonetheless a very powerful activity. The picture is of a patterned sun, rising in flames, mandala-like, over a turbulent sea. Coloured with all the energy and intent of my process, it is beautiful. Beautiful.  But one corner remains uncoloured. As I filled the page with swirls and vortices of colour, I became unbearably weary of thinking about this issue that had stymied me for so long, until I couldn't bear to give it any more effort, not even one more stroke of my pencil. So I stopped colouring, and went out and took very specific (and effective) measures to transform that situation. I was very clear about doing this without handing over any more of my colour, without giving away any more of my emotional resources, without ceding any more of my personal power.  That picture, unfinished, is a magical thing to me - not because it represents any level of artistic skill, but because creating it took me from the stuck and powerless place I was in, to a mindset where I was ready to act to transform it

The same is true every time we bring the quality of mindful intent to a creative activity. It provides a way to process our experience, either present or past, to make sense of it, to renegotiate our relationship with what is or what was. In the big things in life, it allows us to reclaim our power in the face of otherwise overwhelming, unfathomable circumstances by creating meaning and connection. In the small things, it affords us a breathing space, a valuable pause, fresh energy to continue on with. 

Monday, 3 October 2016

Incremental

During the last year, something has changed in me. There are a few things I could name, but mostly, some part of me stopped being afraid. Something in me stopped feeling small and weak. I feel stronger in myself. And I’ve become stronger physically, too.

Rebuilding my strength has been a slow process. There was pain to push through at the start, and lots of weird sensations like numbness, and fatigue. First, I started standing at work briefly whenever I could, pushing through the tiredness, and then at home, too. I started walking a bit further, carrying a bit more, sitting a bit less.

And then I started to dance again.

I don’t remember exactly when that was, probably about a year ago. What I do remember is dancing – badly – in the kitchen one day, and reconnecting with the very deep body-hunger I had for movement, the flow of music and the expansive peace of finding the shape of it with my body. No thought required, only physical focus, the concentration of being present in the moment of the senses.

When I started, my body was weak. I was unfit. Multiple surgeries have changed how I move. My nerves were damaged by chemo, which affects my balance. I was stiff, and wary of aggravating past injuries to my pelvic and sacroiliac joints. I could do very few of the base moves needed to construct any kind of sequence, and it was exhausting.  

I couldn’t do much, so I did what I could.

Very gently, I started with short runs of the most basic components – not even whole moves, just single, small movements – drilling them for as long as I could manage. I felt locked in a tiny range of motion, with barely any lateral movement. When I finally took my practice in front of a mirror, I discovered that my dancing looked even worse than it felt. One arm was difficult to lift and the extra effort made my hand placement angular, ugly - lizard arms, not snake arms. Some of my newly reclaimed moves were too small to be visible, and others were jerky, obeying rhythms not present in the music. But I kept going. I focussed on the enjoyment of moving to music I love, savouring each tiny gain.

Incrementally, my strength is returning. My movements ceased being choppy and started to resemble their former shape and pacing. Now I’m dancing whole moves and some sequences, with simple layering. And I’m travelling with the moves, starting to give them expression in the fullness of space that surrounds me. My body seems to have a memory of its own, and surprises me sometimes with a long forgotten movement. I’m starting to see and feel some of the easy gracefulness that comes only from many hours of practice.

I can feel my body changing, replacing the dead weight of years of physical inertia with the precision and focus of muscle. I’m still a long way from having the stamina or flexibility that I’d like. But I’m a lot closer now than I was a year ago.

I have progressed and now I can work towards the small goals of the dancer, the refinements that will lead to mastery: controlling my shimmies, extending the range of my moves, stabilising my balance for travelling and turns, improving the definition and accuracy of moves against varying rhythms – the same goals I’ve worked for and conquered before. 

And woven through the lilt of the music and the undulations of the dance is a bitter-sweet appreciation for the slow toil of regaining what I’ve lost. Each step, each gesture of the dance is an expression of an achievement, the significance of which only I know.

It’s early days, and I still tire too easily. I am a long way from my previous performance standard. The wounds made by cancer have left one arm permanently heavy and clumsy. The long scar and tightened muscle across my back and side limit the arc of movement through my ribs. I need to work three times as hard to produce graceful motion on that side. Will it ever be easy? Probably not. But it will always be joyful. It will always be a celebration. And it will always be a declaration: This is who I am. This is my story. This is the way I meet the world.






Sunday, 12 June 2016

Bluebird, fly

I don't believe it sings
any louder
or soars
any higher



but it will not fly at all 
if not given freedom to be

Tuesday, 17 May 2016

Burning

Try as I may
to shine
in the darkness


Oh my heart


Tuesday, 3 May 2016

Sunday, 1 May 2016

Diamond

When– 

When–   
did the tender plant shrink,
fall to the ground, rot,
lie buried, suffocating?

did the fragile star gasp,
plummet to leaden death, smoulder,
burn coldly, slumbering?

did the ponderous world compress,
stoke the crucible heart, distil,
sear molten, transforming?

did the impatient core heave,
quicken in primal depths, churn,
fling violent, seething?

did the corrosive elements weep,
scour the oppressive grime, rasp,
chafe bare, exposing?

did the tireless steel gouge,
tear through loamy embrace, strike,
seize fiercely, coveting?

did the curious blade tremble,
caress the exquisite angles, question,
cleave naked, revealing?

When–
will the insightful light bloom,
glance this nascent diamond, reflect,
catch brilliant, desiring?


Saturday, 16 April 2016

Tremble

caught up in your turbulence



and I tremble, yeah,

and I tremble




Friday, 8 April 2016

Caving In

hold me down

so that I can feel the heat

so that I can feel a different kind of sadness

I don't want to live unscathed

        
'Caving' by Seavera 

Monday, 4 April 2016

Let them



Word.

Or, as expressed by a person of great intellect and even greater kindness, 
'... leave [that hogwash] to the reptile for whom it has been fabricated.'

Thursday, 17 March 2016

What burns

It won't be in vain

To swallow all your pain

And learn to love what burns



And gather courage to return



Friday, 19 February 2016

Skin

treading lightly

tightly shedding its old skin 
leaving trails of night 
for light to bring chagrin 



in these hands I'll hide 
while this world collides
it's not enough for me 

it's not enough for me