Showing posts with label delight. Show all posts
Showing posts with label delight. Show all posts

Saturday, 31 December 2016

Worthwhile


worthwhile / worth while


1. Performance art   #crazynotcrazy #sorrynotsorry #WTF #whoknows
2. Bingeing on bad poetry and body language
3. 
Starring in my own imaginary reality TV series 
4. Wine time (rediscovered)
5. Intimate grooming as an adventure sport
6. Day trippin' to Coventry. (Too bad I didn't send you a postcard).
7. Kerb kicking (top points paid for toxic family members & judgey ex-friends)
8. Post-verbal and pan-textual narratives in digital memoir
9. Humble pie degustation tour
10. Spontaneous, revelatory urban route deviations
11. Secret elevator dancing
12. Book arranging by stealth #bookstoreguerrilla



Monday, 3 October 2016

Incremental

During the last year, something has changed in me. There are a few things I could name, but mostly, some part of me stopped being afraid. Something in me stopped feeling small and weak. I feel stronger in myself. And I’ve become stronger physically, too.

Rebuilding my strength has been a slow process. There was pain to push through at the start, and lots of weird sensations like numbness, and fatigue. First, I started standing at work briefly whenever I could, pushing through the tiredness, and then at home, too. I started walking a bit further, carrying a bit more, sitting a bit less.

And then I started to dance again.

I don’t remember exactly when that was, probably about a year ago. What I do remember is dancing – badly – in the kitchen one day, and reconnecting with the very deep body-hunger I had for movement, the flow of music and the expansive peace of finding the shape of it with my body. No thought required, only physical focus, the concentration of being present in the moment of the senses.

When I started, my body was weak. I was unfit. Multiple surgeries have changed how I move. My nerves were damaged by chemo, which affects my balance. I was stiff, and wary of aggravating past injuries to my pelvic and sacroiliac joints. I could do very few of the base moves needed to construct any kind of sequence, and it was exhausting.  

I couldn’t do much, so I did what I could.

Very gently, I started with short runs of the most basic components – not even whole moves, just single, small movements – drilling them for as long as I could manage. I felt locked in a tiny range of motion, with barely any lateral movement. When I finally took my practice in front of a mirror, I discovered that my dancing looked even worse than it felt. One arm was difficult to lift and the extra effort made my hand placement angular, ugly - lizard arms, not snake arms. Some of my newly reclaimed moves were too small to be visible, and others were jerky, obeying rhythms not present in the music. But I kept going. I focussed on the enjoyment of moving to music I love, savouring each tiny gain.

Incrementally, my strength is returning. My movements ceased being choppy and started to resemble their former shape and pacing. Now I’m dancing whole moves and some sequences, with simple layering. And I’m travelling with the moves, starting to give them expression in the fullness of space that surrounds me. My body seems to have a memory of its own, and surprises me sometimes with a long forgotten movement. I’m starting to see and feel some of the easy gracefulness that comes only from many hours of practice.

I can feel my body changing, replacing the dead weight of years of physical inertia with the precision and focus of muscle. I’m still a long way from having the stamina or flexibility that I’d like. But I’m a lot closer now than I was a year ago.

I have progressed and now I can work towards the small goals of the dancer, the refinements that will lead to mastery: controlling my shimmies, extending the range of my moves, stabilising my balance for travelling and turns, improving the definition and accuracy of moves against varying rhythms – the same goals I’ve worked for and conquered before. 

And woven through the lilt of the music and the undulations of the dance is a bitter-sweet appreciation for the slow toil of regaining what I’ve lost. Each step, each gesture of the dance is an expression of an achievement, the significance of which only I know.

It’s early days, and I still tire too easily. I am a long way from my previous performance standard. The wounds made by cancer have left one arm permanently heavy and clumsy. The long scar and tightened muscle across my back and side limit the arc of movement through my ribs. I need to work three times as hard to produce graceful motion on that side. Will it ever be easy? Probably not. But it will always be joyful. It will always be a celebration. And it will always be a declaration: This is who I am. This is my story. This is the way I meet the world.






Friday, 29 April 2011

Blancmange


I’ve spent the last few days like a normal person who’s never had cancer and doesn’t suffer from fatigue, and who does normal productive things like painting their child’s bedroom. (Kudos to me).  The colour of paint was chosen months ago (Carnation) but on the spur of the moment, I decided we should add a pale trim colour.

Imagine my delight when the selected delicious colour had an equally delectible name.  Blancmange.

Blancmange.  Roll that around your mouth in like a spoonful of dessert in your French-est accent.  Blohn-mohnge.

I have no idea what exactly Blancmange is, except that the literary playmates of my bookish childhood ate it in the nursery at tea-time.  Usually these teas followed a long day of roaming around, unfettered by parental supervision, solving a smashing mystery or having a splendid adventure.  I was enthralled by the names of unfamiliar dishes like spotted dick and roly poly, treacle pudding or the rather more humble bread and milk. (Someone please tell me that’s not stale bread dunked in milk with sugar spooned over it).  But Blancmange was the most exotic sounding of all the storybook desserts.  In my head it looked like a chocolately brown quivering jelly, with a fluffy snow-white garnish.  Distinctly mountainous.  (Maybe Mont Blanc somehow got confused with Blancmange in my mind).

However the Blancmange paint is a very pale pink, so delicate it is nearly white.  So it’s safe to assume that my childhood imaginings do not resemble the actual dessert. 

I suppose I could google it, but I’ve quite enjoyed the invented dish floating around in my head all these years.  The reality could disappoint.  I prefer the imaginary dessert, plump and glossy, flavoured with endless possibility.